PART 2::THE TATE MURDERS WERE A FALSE FLAG AND THE GREATEST UNKNOWN SUCCESS STORY OF PROJECT CHAOS

The Tate Murders were a False Flag 

and the Greatest Unknown Success 

Story of Project CHAOS

by Miles Mathis

@http://mileswmathis.com/index.html 

Part 3: the Family 

Now, let us study Bugliosi's script a bit more closely. Ask yourself this: do 5 foot 3 ex-con bums like Manson “have a gift for attracting wayward teen girls”? Do they now? Did they in 1969? No. What attracts young girls is money and fame, and Manson had (or should have had) neither. What we discover if we study recent history is that wayward teen girls tend to be attracted to various brainwashing programs run—one way or another—by the government. And it is not so much that the girls are attracted to such programs as it is that they cannot escape them. These programs are like a vortex the young and impressionable cannot swim out of. 

According to AP reporter Linda Deutsch, who helped to narrate an A&E special called The Manson Girls, Manson's trick “was that he recruited very young and very impressionable girls at a time in their lives when they had identity problems and they didn't know where they were going in society.” But that is classic misdirection. That is a good trick, but it wasn't Manson's trick. It was the trick of the military and the intelligence community, which, in the Tate event, was recruiting its own children to act in these manufactured tragedies. Since these kids were their own kids, they were doubly impressionable. They wanted to please their parents. These actors like Sharon Tate and Lynette Fromme and Susan Atkins weren't the most rebellious of their generation, they were actually the least rebellious. These were Daddy's little girls, doing their part to keep America safe from commies and anti-war protesters. 

That's the real Manson family. They look really dangerous, don't they? About as dangerous as the Brady Bunch. 

While we are looking at Manson, we should remember that Manson was tied to the victims before the murders. This evidence is usually suppressed, and the standard story is that Manson thought Terry Melcher lived at 10050 Cielo Drive. The murders are therefore sold to us as random. However, there was testimony from Layne Wooten to seeing Manson in a red Ferrari with a woman in a scarf in Topanga Canyon in July 1969. 2 Manson was a bum without a job: how could he be driving a Ferrari? Turns out Sharon Tate owned a red Ferrari at that time. The story has been planted that the red Ferrari was Beach Boy Dennis Wilson's, but that has never been confirmed. What has been confirmed is that Sharon Tate owned one. It was found in a body shop shortly after the murders. And it was probably Abigail Folger in the car with Manson. Manson and Folger were linked through Esalen as well, since both had been there in the past few months. They were also linked via the Himalayan Foundation (another CIA front), which she gave money to and which he hung around. Folger was also known to have attended fundraisers set up by her mother to aid the Haight-Ashbury Medical Clinic in San Francisco. This was around the same time many of the Manson family women were being “treated” there. So she was linked not only to Manson but to the girls. This is most likely where the girls were auditioned and coached for the upcoming Tate movie. 

This Haight-Ashbury Clinic turns out to be a giant red flag, since we find both David Smith and Roger Smith running the place in 1968. David Smith is a high-profile but dark character with CIA pointers all over him. I don't have time to do an exposé of him here, but he has links to all sorts of fishy goings-on. You may want to note that he has no date of birth at Wikipedia, and no life before 1967, when he founded the clinic. We are led to believe he founded the clinic right out of med school, at age 28. But a now-scrubbed bio had him at age 32 when he founded the clinic.6 It is enough to know that Manson was released from jail on March 21, 1967, and the clinic was founded on June 7, 1967. Manson left Terminal Island Prison in San Pedro (yes, the same San Pedro where the Tate family had been living since 1962) and immediately asked permission to move to San Francisco. He was living in Haight-Ashbury by late April. The summer of 1967 saw both the meteoric rise in LSD availability on the streets, as well as the introduction of the never-seen-before STP and PCP. HaightAshbury just happened to be the epicenter of both. Why was the formula for STP released by DOW into the scientific community at large, why was this lab drug on the streets for cheap, and why was it released in HaightAshbury in 1967? The same can be asked of PCP. Why was this animal tranquilizer marketed until then by Parke-Davis suddenly put on the street for cheap, and why was Haight-Ashbury the first place this was done? If you think the hippies suddenly became lab experts and were brewing these things themselves, you have never hung out with real hippies. Now declassified documents show that there were government drug programs at the time using the youth of Berkeley as human guinea pigs, and that the supply was coming from government and university labs. See the resume of Dr. Wayne O. Evans, for instance. For more recent examples, you can see how crack cocaine was introduced in California in the early 1980's by the CIA, this time targeting blacks and Hispanics. Just search on  Gary Webb, Dark Alliance.

Roger Smith is easier to gloss here, since all you have to know is that he was Manson's parole officer in 1967 before “establishing a drug counseling treatment program associated with Haight-Ashbury Clinic in 1968.”4 Coincidence, right? No, not really. In his book, Ed Sanders calls him Roger Smith on one page, then calls him Dr. Roger Smith on the very next page. Parole officers aren't normally doctors of medicine. What did Roger Smith do, attend eight years of medical school and do a residency between 1967 and 1968? No. Roger Smith was Manson's handler, not his parole officer. Once Manson was set up in his new role, Roger Smith moved to the Haight-Ashbury operation, which was nothing more than a CIA front. Curiously, Roger Smith also took in Manson's baby Pooh Bear as a foster child when the baby's mother Mary Brunner was arrested in Mendocino in June, 1968. Handlers do that sort of thing. Parole officers and doctors don't. 

Notice that I am not implying that Manson or anyone else was mind-controlled. The drugs in Haight-Ashbury were used mainly as a direct weapon against the minds of the hippies, but not as mind-control. All these drugs are tranquilizers and inhibitors and confusers. The Manchurian Candidate theory is more misdirection, at least in this case. I am not denying that MKUltra existed, or that it worked on mind-control, but in the case of the alleged Tate murders and Kennedy murders, the mind-control theories are all on a par with the Satanism theories. They are sucker links, planted to misdirect you. If these murders are fake, and if most of the main characters are paid agents, then we don't need anyone to be mind-controlled. This is why the government doesn't mind seeing conspiracy theories that include mind-control or Satanism: those theories still include real murders and real corpses, so the desired story is kept intact. You are allowed and encouraged to theorize along those lines all you want, with Mae Brussell and others. The only theory you are not allowed to pursue is the correct one: the murders were faked. 

Obviously, I am not pursuing this theory because I believe the CIA is above murder. I assume that these government agencies are prepared to do whatever they need to do to maintain their hegemony, both foreign and domestic. And, although I didn't fully research every murder connected to the Manson events, it is possible some people did die in the making of this movie. I am simply following the evidence I found, which indicates the central Tate murders were faked. I started by realizing that Sharon Tate was never killed, and you will see that evidence very soon. That led me to the realization that the deaths of Sebring, Frykowski, and Folger were also faked. This means that the operation was intended to be a simple con, with no dead bodies. But as usual, it appears to have spun out of control. To maintain the fiction, several other people either had to be killed or— more likely—relocated. This paper will not follow those other people. I will leave them to others to research. 

But back to Haight-Ashbury. It is unlikely that the Folger family was unaware of the status of the HaightAshbury clinic. Abigail's superwealthy mother, Inez Folger, was a volunteer under Roger Smith. It was she who helped the clinic receive grants from the Bothin Foundation and the Merrill Trust, the latter of which is found on current lists of CIA fronts. Which means that she was also CIA, or at least a supporter of their anti-hippie events. I found it interesting that Ed Sanders book The Family is often quoted by conspiracy theorists, but even their quotes have been partially scrubbed off the internet. The same two-line quote about Abigail Folger attending a fundraiser for the clinic (that I used above) can be found in many places, but it is a truncated quote. I read the first edition of The Family and guess who else was there? Paul and Doris Tate. And who else? The Manson family.4 

We have more indication that Manson was being handled from the start, since George Shibley is the one who visited him right before his release in 1967. Shibley was one of the most high-profile attorneys in California at the time. It would be like Alan Dershowitz visiting some pimp and car thief in a New Jersey State prison and arranging his parole. Why would Shibley meet with Manson pro bono? Manson then missed parole appointments throughout 1967 and 1968, was arrested for marijuana possession in May, 1968, and for counterfeited driver's licenses in April, 1968 (the famous Oxnard bust). He was arrested again on June 4, 1969, for rape. Although any of those things should have landed him back in jail, he always managed to skate. I guess we are supposed to believe that California state police were impressed by his beard and Jesus bit. 

In April of 1969, we are told several arrests were made of Family members.12 Van Houten, Rowe, and Watson were all arrested that month, but they, too, managed to skate. The girls were arrested for grand-theft auto and Watson for drugs, but all were returned the ranch. They were needed for the upcoming highlights reels. 

But back to the red Ferrari: even if the car had belonged to Dennis Wilson and not Sharon Tate, we see Manson hanging out with people he had no business hanging out with. If Manson was not a patsy of the CIA or DIA, how was he managing these contacts? He was supposed to be a loser ex-con with no job and no real prospects. Esalen isn't free, and the rich and famous people of LA weren't driving around picking up bums to hang out with. They don't do it now and they weren't doing it then. It is implied that Manson's entree was drugs or porn, and either of these possibilities does exist. But given what we now know, a third option is far more likely: Manson's entrée was via the black agencies that were using him. Sharon Tate's own father was one of these black ops, so we already have a connection right there. Folger was another connection, and she appears to have been used as a liaison with cash. As we will see, it is no surprise that Tate and Folger and Manson and Atkins and Watson already knew one another: they were all working on the same set! 

According to Paul Watkins and many other sources, Manson was never short of cash, despite all the girls and babies and cars he had to take care of. He was said to be swimming in money. Where did it come from? Most imply it came from selling drugs or from pimping, but it now appears Manson was bankrolled in a more direct and less compromising way: he was fed money by his handlers. Remember, selling drugs and pimping should have been very dangerous for Manson. He was on parole. He was watched. And he was highly visible. Driving around in a schoolbus filled with under-aged girls is not a good way to stay beneath the police radar, especially when many of those girls are from rich families. Angela Lansbury's 13-year-old daughter was one of Manson's girls, we are told, and she traveled with a note saying it was OK. Several other girls were also not runaways, they were simply on loan from Republican or CIA families. Do you think this would have been allowed if Manson were pimping these girls out? No, the only way it would be allowed is if everyone on the inside knew it was a set-up. The Family was made up of various government agents, so these girls couldn't have been safer if they had been in a nunnery. 

Although the mainstream story is that Manson was bedding all these young women daily, that he was a super virulent woman pleaser with a constant erection, and that he impregnated hundreds, the truth is that there were very few pregnancies among the Family and that only one pregnancy can definitely be traced to Manson.5 This despite the fact we are told that no birth control was allowed. Obviously, these two stories don't add up. The Manson “Magical Mystery Tour Bus” wasn't a rolling orgy, it was a mobile CIA unit, complete with male and female disguised agents. If you doubt that, remember what color all these hippies decided to paint this yellow schoolbus: BLACK, even the windows. Do you honestly think real hippies—who are lovers of sunshine and trees and scenery and fresh air—are going to paint the windows black? No, that is a trick of the spooks. They always have to travel in black cars with tinted windows. But, as I said, these young girls were as safe in there as they would be at George Clooney's house. 

Now, back to Manson and Folger. Manson has been placed at the Polanski house well before the alleged murders even in the standard story. We are told he was there looking for Terry Melcher in March of 1969, during a dinner party. We are told Manson was confronted by photographer Hatami. But since Sebring and Frykowski were both there, why didn't one of them talk to Manson? Frykowski was already as good as moved in, and Sebring was there all the time. Why would Hatami take it upon himself to talk to a visitor? This looks like a story that has been spun. No doubt Hatami saw Manson there, but the rest has been rewritten to cover the truth. The standard story also conflicts with itself here. If Manson was told in March that Melcher didn't live there anymore, then he should have known it in August. And yet we are told he didn't know it. It can't be both ways. I would suggest it is neither way. Manson didn't think Melcher lived there in August, and he didn't think Melcher lived there in March. He arrived in March to talk shop about the upcoming movie, and wasn't told about the dinner party. So the scriptwriters had to quickly come up with a creative cover story, for the benefit of Hatami if no one else. 

A red flag no one else appears to have noticed is El Camino College in Torrance. Many of our players spent time there, including Squeaky Fromme, Brian Wilson, Al Jardine, and Frank Zappa. El Camino is known both for its film program and its forensics program. But the biggest clue to the real nature of El Camino is its founding date, 1947. Ring a bell? The first year of the CIA, again. We see that year coming up over and over. It now looks like all of San Pedro and most of Torrance and Laurel Canyon were intelligence communities. Many of the houses were CIA houses, and were rented to a series of spooks or other people on assignment. Both Terry Melcher and Sharon Tate had intelligence connections 8 , which means the house at 10050 Cielo had been a CIA house from the beginning. It probably had ties to Lookout Mountain for decades. As more indication of that, I remind you that 10050 Cielo was the first house Tate and Polanski looked at. How many young couples  with loads of money take the first house they look at? 

Another person to look at is Charlene Cafritz, a wealthy bank roller of Manson and his Family. Cafritz was a friend of both Sharon Tate and Terry Melcher 9, so she is an obvious link between Manson and Tate. And if we didn't already suspect Melcher as a CIA asset, his link to Cafritz would give us that suspicion immediately. Since Tate's military intelligence connections are known, we may assume Cafritz also had connections. Actually, any small amount of research shows that Cafritz' connections to military intelligence are vast. The Cafritz Foundation is the largest foundation in the DC area. The DIA (Defense Intelligence Agency) resides in part in the Cafritz building. 

That picture is from the DIA's own website, where we find the caption, “Two clerks at work on aerial film control files in the DIA Cafritz Building, 1960's.” That caption intersects this paper in two ways, by giving us a link to Cafritz and by giving us yet another link to films. That second intersection will become apparent below, so keep it in mind as you read on. 

Charlene Cafritz's maiden name was Lawley, and her mother was Lucille Lawley who worked for the State Department for 30 years from Roosevelt to Nixon. Among other things, she was executive assistant to Secretary of State Dean Rusk, who was a frequent target of Vietnam anti-war protests. Given that, it is quite easy to see that the common story of Charlene Lawley Cafritz is more misdirection. Cafritz was planted in the Tate movie by both the DIA and State Department, and she was simply channeling money to Manson from them. As with the other players in this story, she had to be removed from sight in a rather drastic way, by faking her death, too. She was “found dead” in 1970, only one year after the Tate murders. Problem is, there is no SS death certificate for her and no proof she died. Not only has she been scrubbed from all Cafritz bios, the Cafritz bios are scrubbed of their own information. See the Wikipedia bios of Morris and Gwen Cafritz, who were big-time rich people and socialites in DC in the 1960's and 70's. No useful information there. I am not the first researcher who has proposed that Cafritz' death was faked.

Before we move on to the next section, it is worth returning for a moment to my mention of Esalen. To follow this important link, I recommend you read Jeffrey Kripal's recent book,, some of which is available for free online. It is important that Manson was placed at Esalen in the summer of 1969, since this explains two things. One, it gives us a further connection between Manson and Folger, which I already mentioned. Two, it may give us another source for where the hippies and perhaps the minor Manson girls were getting LSD. Esalen was known as a center of LSD “research” in the 1960's. In this way Esalen is also linked to the CIA, which had been interested in LSD for its own purposes since the early 1950's. This is strong indication that the Manson girls were not just taking LSD for recreational reasons. They had been given it as a part of their brainwashing. Notice I say brainwashing, not mind-control. Even though I will show that some of the major players here— such as Susan Atkins and Lynette Fromme—were probably actor/agents, and therefore didn't need to be controlled or brainwashed, I assume that many of those in the lesser roles were unaware of the larger plan. It was best these people be kept in a state of idiocy. In the context of this section of my paper, it becomes clear that LSD was used as another weapon against the hippies. Many young people of the time saw it as a mindexpanding drug; those supplying the drug to them saw it only as a mind-inhibiting drug. Those who weren't sure of their role in the movie could be convinced to play just about any part, with enough hits. And afterwards they would be so confused they wouldn't know what had happened one way or another. This is probably how to explain someone like Barbara Hoyt. 

Even so, the major players here weren't real hippies or druggies, they were actors. They weren't brainwashed and they weren't taking LSD. Lynette Fromme won awards in highschool for DRAMA, poetry, and dancing. She was popular and well-liked, not at all a problem child. She was known as the Manson family's den mother. Barbara Hoyt described her as “maternal” and as “a very nice loving person.” She grew up in Hollywood (Santa Monica, Redondo Union HS) and as a teen she dated Bill Siddons, who went on to manage The Doors. Her father was an aeronautical engineer, which means he probably worked for the military. It is likely he knew Paul Tate, since they both started their careers at the same time in the same place. Lynette was born in 1948, so her father probably started his career around 1947, year one of the CIA. Lynette's link to Bill Siddons is also a big red flag, since Siddons arranged for the funeral of Jim Morrison, despite never seeing a body. Remember, Jim Morrison's father was the rear admiral in the navy who was the commander of the US forces at the notorious Gulf of Tonkin false flag, in which the warship USS Maddox radioed that it was under attack when it wasn't. Even the mainstream—including Wikipedia—now admits the incident was faked. It isn't a “conspiracy theory.” This fake attack was used as justification for Congress passing a resolution giving Johnson the power to wage war upon North Vietnam in 1964 without a full declaration by Congress. The Morrisons weren't above staging an event, that is, and they staged several large ones, including Jim's death. From all this, we can see that Lynette Fromme was an insider, both in the military and in Hollywood. Like Sharon Tate, she grew up as a military asset from the crib. Her later incident with President Ford was another big act, since, if you will remember, her gun had no bullets in the chamber sand she didn't cooperate with her own defense. As we will see below with Manson, Atkins, Watson, Van Houten and the others, her incarceration has been faked from the beginning. Her entire life has been a false flag. 

If you don't believe that, I encourage you to watch video of her well before any arrests were made. Go to minute 36:00. She and two friends (see below) are in various ridiculous costumes, holding guns and reading from cards, practicing their lines. It looks like outtakes from Peter Pan or Bonanza, except that the girls are all showing a lot of leg. Look at that cup. We are on set here, obviously. I also encourage you to notice how clean and scrubbed the girls are. Do these look like hippies or slippies to you? Do these look like girls living in caves and dumpster-diving for food? That is how they have been sold to us. I have been around hippies. Their fingernails aren't this clean. Their knees aren't this perfect. They should have scrapes and bruises, especially if they are having sex outside and on the floors and so on. No one who watches this video closely will think it is bad girls getting ready for race wars. These girls aren't even rough enough to play the Ally Sheedy role in The Breakfast Club. All three would have to audition for the Molly Ringwald role. 

Later parts of the Tate event script would use Lynnette Fromme, Sandra Good, and Charles Manson to demonize the environmental movement, just as Manson and his family had demonized the anti-war movement. That is what is really happening whenever you hear any of those people start talking about the trees or the Earth, or when they start threatening CEO's. They are good actors to this day, because they really do sound like earnest environmentalists. They aren't. They are just acting like environmentalists so that you will think all environmentalists have the same mentality as Sandra Good or Squeaky Fromme or Charles Manson. They were doing the job in the 1970's and 80's that Ted Kaczynski would do in the 1990's. You see how one or two highprofile actors can smear an entire movement. This trick is now used over and over, in many fields.18 

Part 4: 

The Tate House 

Before we get to the most important photos, let us look at some photos of the house. We are told this is the home of Polanski and Tate. He was a rich and famous director who had a huge hit the year before with Rosemary's Baby, and she was a successful actress, driving a new Ferrari. Polanski had a Ferrari as well, and a Rolls Royce Silver Shadow was being shipped over from England that week. We would expect their home to be pretty posh, right? 

That is supposed to be the bedroom. Beautiful bed, right? No headboard, no footboard, cheap metal runners, and no boxspring. See how low the bed is? The mattress is just sitting on some thin foam foundation. No real boxspring. Then we have pillowcases that don't fit the pillows and one of those cheap staticky blankets made of nylon that costs about 2 dollars. Look at the lamp. That's worth at least $5. The picture frames look like they came from K-mart. And the carpeting is cheap. Does that really look like the bedroom of a famous young actress? No, it looks like the room of a poor college student with no taste. 

That is supposed to be the living room. We will see it again later. Even without being wrecked and bloody, it is a dump. You can see better pictures of the couch below, and it looks like it was pulled off someone's front lawn in rural Alabama. Look at the posters on the wall, framed with thin metal frames. Again, does this look like a rich and famous movie director's home? Also note the US flag blanket on the couch below, as taken the day of the alleged murders. One, it is upside down, which is a distress signal. But it would be strange even if it weren't upside down. Do rich and famous directors and actresses buy cheap flag throws for the couch? Is this considered a sign of good taste? No, again, it is a sign of hillbillies. Roman Polanski was not a hillbilly. He was also not American. 

Just look at that couch. Not only cheap but filthy. Ask yourself once again, “Is that the sort of couch we expect to see in the house of a rich and famous movie director?” No, that is the sort of couch you put in a room you know is about to be splattered with pig's blood. 

Here is the outside of the house. 

Would you say that matched the inside photos we just saw? Here is how the interior looked in the 1940's: 

That looks like a rich person's home, with rock walls and high ceilings and fancy furniture. This is what it looked like in 1969: 

A cheap, garish dump. Again, here is the outside: 

Look how wide that door is. That is a fancy girl in a fancy house. Now look at the interior on the day of the murders: 

What is my point? My point is they cleared the real furniture out and replaced it with cheap junk, to keep the real stuff from getting splattered with pig's blood during the fake murders. To refute that we are given this picture, said to be from several months before the murders. 

[SUPPOSED TO BE THE DAY OF THE DAY OF THE MURDERS, NOTE THE HAIR] 

But that photo isn't time-stamped. It could have been taken the day before the murders. It could be manipulated, we don't know. We will see below that many of these photos have been manipulated, and I will show that one of the ones above certainly was. Let's go back to this one: 

That is supposed to be the day after the murders, I guess, since we still have blood all over the place. But Polanski has aged about twenty years. He looks about 50 there. Compare his head to his head in the previous photo. Look at his hairline. Did his hair recede overnight? That photo is a paste-up. The light on him doesn't even match the rest of the photo. Look at his shirt. Why isn't the top of the couch blocking any light coming from the windows? 

Here's another room in the house, to make a comparison.

 

That first picture looks more convincing, doesn't it? The carpet looks newish and expensive and clean, the furniture looks stylish, and the pictures on the wall look like real paintings, instead of cheap framed prints from a junk shop. The tables are heavy wood, and the accoutrements look authentic. So why does the main room in the same house in pic 2 look like it was furnished by trolls? 

Here's something interesting: 

They want you to stay focused on the blood stains, but I point your attention to the gap in the carpet. Notice this isn't wall-to-wall carpet. Looks like carpet just laid down over hardwood. Why is that important? Because it is temporary. It can be rolled up at a moment's notice and removed. That is convenient I would say. If you were wondering why this carpet looked so blah and dingy and cheap, that is why: it was rolled down specifically for the action of these scenes and then removed afterwards and burned. 

That's in the entryway to the living room. You can see the temporary carpeting there again and the 6” gap at the edges. That carpeting is even cheaper and dirtier than the bedroom carpeting we looked at above. Those are the trunks that arrived the day before from London. We are told they contained Tate's clothes. This is curious, both for the contents and the timing. Due to the timing, the arrival of the trunks now appears to be a signal to proceed. “All is set, let's go real time tomorrow!” What do I mean? Well, now that the rest of Sharon's clothes have arrived, nothing is holding them back. They needed Sharon's clothes, because she is going into hiding in a couple of days. Once she is released from the movie set, she has to fly out to Jamaica or Brazil. Some of her favorite clothes were still in London, and she can't be expected to go into hiding without her favorite winter clothes. She may have to be gone for a couple of years or more. 

In support of this theory, we know Tate and Polanski were in Rio de Janeiro, Brazil, in April, 1969, for a film festival. They visited Jamaica on the way back, where Polanski is said to have lost his passport. It would have been quite easy for them to have scouted out locations while they were down there. 

You will say, “If that theory were true, then why not just send the trunks to Brazil?” One, because the final destination hasn't yet been decided. They know she will have to spend some time in South America, but it doesn't have to be Rio or Sao Paolo, or Jamaica either. Could be anywhere. Could be Recife or Belem, hell it could be the Iles du Salut. Polanski was always fluent in French, having been born in Paris. Two, a girl likes to have everything in front of her when she is packing. No need to send everything on. Send the trunks to LA and she will choose what she needs. 

However, it looks like Jamaica may have been the first stop for Sharon after leaving LA. Why? Well, we know that Polanski and John Phillips went to Jamaica less than two weeks after the murders, ostensibly to “continue their investigation into drugs and voodoo.” But since Sharon and Roman had stopped over in Jamaica in April, we may assume that Polanski was not there to investigate voodoo. He was most likely there to check on Sharon. If the LA police had been serious about unlocking the “murders,” they would have followed Polanski to Jamaica. Since they didn't, we can assume they were just following orders from the FBI or CIA. 

This information allows us to finally crack the lyrics in American Pie, where Don McLean says, “Helter Skelter in a summer swelter, the birds flew off to a fallout shelter, eight miles high and falling fast.” Some have connected this to the Byrds and their famous song Eight Miles High, but that isn't the right interpretation. McLean is referencing that, but that isn't what he is telling you. “The birds” are those involved in the operation, the perpetrators or the actors. He is telling you they flew off. In other words, they didn't die, they escaped. They flew off to a fallout shelter, which means they “went underground”—not literally but figuratively. They went into hiding. How did they do it? He tells you that also: they flew off 8 miles high, which means they were in a commercial jet, which flies at just under that altitude. Of course international flights fly the highest, so you are being told they fled the country. I have shown they probably went to Jamaica first, or at least Tate did. 

But back to the trunks and the go-ahead for the operation. You should also remember that they were trying to undercut or preempt Woodstock, which they knew was scheduled for the next week. In addition, they wanted to plug into the terror already created the week before (August 2) by the grisly knife murders of two young girls in San Jose. So the window of opportunity was small. As soon as the trunks arrived, the green light was on. You will say, “But the trunks weren't empty!” So? Sharon takes out the clothes she wants and throws some clothes she doesn't want in there. That is all it would take to cover those tracks. 

Here's another clue from someone not completely comfortable with the game. We have been told this is a reference to the police, whom the hippies called pigs. But knowing what we now know, we see it isn't that at all. Since this is all fake blood, and since they commonly use pig's blood when they need blood that looks very real —since it is real—we can now see that this writing is telling us what kind of blood the writer has on his or her hands. Pig's blood. Pig. 

Of course the word Pig did double duty, since it also tied the Tate house to the Hinman house, which was a sort of prequel to the main movie. But in both cases the word piggy was used because the young girls were uncomfortable with the thought that they had real pig's blood on their hands. Only later did the scriptwriters think to tie it to the whole “police as pigs” storyline. This didn't happen until the Helter Skelter/Piggies/White Album connection was made by the mop-up scriptwriters. 

You will say, “Maybe, but that doesn't explain the 'Death to Pigs' found at the Labianca house.” Well, I can't get into that whole thing in this paper, but it appears the Labianca murders were real and were a copycat murder. Remember, they took place a day later, after reports of the Tate murders had already been in the papers, including the writing in blood. In other words, whoever killed the Labiancas knew about the blood and the word PIG on the door at the Polanski house. To cover their tracks and to confuse the police, they wrote on their walls with blood, too. The Labianca murders were a mob hit, and both the FBI and the mob were happy to pin it on the Manson family. You may be interested to know that the Los Angeles police came to that same conclusion early on. They dismissed the Labianca murders as a copycat. They were right the first time. But we may assume the investigation was taken over by the FBI, who pushed it to the planned conclusion. 

Again, I am just warming you up. Before we get to the most important photos, let us look at some further evidence. Some will say, “But we have no indication Tate was still alive after the murders. Someone would have seen her, right?” 

That paper is dated June, 1970. The close friend didn't just see someone who looked like Tate, notice. She saw Tate with Polanski. Do you imagine there are a lot of couples who look like Tate and Polanski in Brazil? Of course the Bulletin was a sensationalist rag, somewhat like the National Enquirer now. You will say they made it up. Maybe, maybe not. Not all Enquirer stories are false, and neither were all Bulletin stories. Like Hustler now, the Bulletin could publish things no one else would touch. Maybe this story is false, maybe it isn't. If the story is false, we now know it was based on the truth. 

That is Christopher Jones. He was a rising actor in 1969 and was working on David Lean's Ryan's Daughter at the time, in which he played the romantic lead. In 2007, Jones, then 66, gave an explosive interview to the DailyMail (London), claiming to have been in an ongoing affair with Sharon Tate in 1969, while she was pregnant. Not only that, but he claimed they were in love. It wasn't just an affair, he says. That is all strange enough, but it gets stranger. After Jones wrapped Ryan's Daughter in 1970, he quit acting for good and moved to. . . wait for it. . . 10050 Cielo Drive. Sharon Tate's house. That doesn't come from the Bulletin, it comes from mainstream sources, including Wikipedia, which admit it. We are told he stayed in the caretaker's house behind the main house, but that may be even weirder. In any case, he was on the property. 

Skeptics will say that he is lying about the affair and that his stay at 10050 Cielo was just a coincidence. But we know from witnesses that he and Tate were in Rome in 1969 and that they were seen together. Whether they had sex or not or were really in love is another question, but it is enough to go on. Same for his time at 10050 Cielo. It can't be a coincidence, since the odds of him just happening to rent the caretaker's house are beyond astronomical. He was obviously there for a reason, and we must assume the reason had to do with Tate. Yes, maybe he had been in love with her and was there pining over her death. Or maybe he was there to continue the affair. Which would mean that by 1970, Sharon was already back, living in her old house. Some think it is difficult to fake deaths and hide people, but it is actually fabulously easy, and this just proves it. You don't need to relocate Sharon to Tierra del Fuego. You just need a black wig and a new car. No one recognized Sharon when she appeared on the Beverly Hillbillies in a black wig: so why would they recognize her in everyday life in that wig? People on the set of Bewitched didn't recognize Elizabeth Montgomery when she was in a black wig playing Serena. That's right: people who worked with her everyday were fooled by a black wig, and one assistant director actually hit on her, not realizing who she was. That is how good most people are at face recognition. 

In the interview, Jones is asked why he is speaking up now. He says, “Partly to see if God strikes me dead for talking about it.” God, or the CIA? 

Another rising actor of the time, Iain Quarrier, also quit the business after the Tate murders. Interestingly, he had been in Fearless Vampire Killers with her and Polanski, so he was a real insider. He had also been in Polanski's Cul-de-Sac. We are told he did this because he was shook up, but other reasons now come to mind. He may have gone into hiding with them as part of their entourage. Or he may have had a big mouth: they drummed him out of the business to keep him quiet. As with others, he has been pretty much scrubbed from history. He has no bio online and few pictures. Here he is with Tate, Mia Farrow, Peter Sellers, and Donyale Luna. 

In this vein, I should mention a third man, Hollywood columnist Steven Brandt. He is said to have taken an overdose of pills after the murders. But did he? He was also a friend of Tate, and as such he may have needed to be silenced. Or, he may have been just another faked death, going off to Brazil to live with his rich friends. 

Part 5: 

Lookout Mountain 

Let's start this section with some faked photos of Sharon Tate: 

Why does she have the exact same left leg in both photos? Study the lighting on the knee. Exactly the same. One of these photos is fake and is taken from the other. The one with the dog is fake. Why would a blonde girl in full sun have hair that appeared black? The second photo looks real, since the light is consistent. But the first photo is supposed to be on the same day at the same time in the same place. She is wearing the same clothes in front of the same fence. Why is the light so completely different? I will be told the sun came out. But will the sun coming out make the top of your head turn black? Not where I come from. I didn't initially understand why they would want to fake this picture of her with the dog, but I could see that they had. Even the dog is faked. There is a video on youtube of her washing a big dog and this little dog is there, too. But he has a light brown head not a black head. 

I discovered the reason for the faking later. It was the background that needed to be changed. As you see, the background in photo 1 looks a bit peculiar, especially when you compare it to the background of photo 2. Why would they need to change it? Well, not many people know this, but just across that little valley behind Sharon in both pictures is a large hill called Lookout Mountain. First there is Franklin Canyon, then a little neighborhood, then Lookout Mountain, and behind the mountain is Laurel Canyon Boulevard. Well, until 1969 there was a secret Air Force facility on the mountain, called Lookout Mountain Air Force Station. Again, not a conspiracy theory, you can see it on Wikipedia. The station is now a private residence on Wonderland Avenue, according to the page there. Curious that the station is said to have closed in 1969, don't you think? Guess what this facility specialized in? Take the Wiki link and you will see that they specialized in making movies. 

The studio consisted of a complete stage, 2 screening rooms, a helicopter landing pad, a bomb shelter and 17 climate controlled film vaults as well as two underground parking garages. With the latest equipment the studio could process both 35 mm and 16 mm motion pictures as well as optical prints and still photographs. The studio contained staff from many prominent studios alongside its military staff. Civilian personnel from Warner Brothers, Metro-Goldwyn Mayer and RKO Pictures worked at the studio in functions such as producers, cameramen and directors. Peter G. Kuran worked at Lookout Mountain before going on to an award-winning career involving both directing and visual effects work. In some cases, Kuran has brought footage of atomic tests developed at Lookout Mountain directly to his later work. 

“Visual effects work.” Interesting. Also take special note of that last studio. Remember, I reminded you above that Joseph Kennedy owned RKO. That fact may or may not be a central clue in this paper, but it will be in an upcoming paper. 

Lookout Mountain produced over 19,000 films, more than all Hollywood studios combined. Stars like John Ford, Jimmy Stewart, Howard Hawks, Ronald Reagan, Bing Crosby, Walt Disney and Marilyn Monroe were given clearance to work at the facility on undisclosed projects. The facility wasn't admitted to exist until the 1990's, which tends to disprove the old saw that you can't keep anything that big secret. Almost no one knows of it even now. 

I want to be sure you noticed that bolded name above: Ronald Reagan. The man who had been an actor at Lookout Mountain was Governor of California in 1969. That isn't a coincidence. 

In this sense, Lookout Mountain can be seen as the importation of Goebbels Propaganda Machine into the US. Except that Lookout Mountain was much more successful at remaining a secret. This is not just a tenuous analogy, either, since at the same time Lookout Mountain was being built, the US was importing thousands of actual Nazis in what was called Operation Bloodstone. Just as Operation Gladio had made use of former Nazis in the newer fight against Russian communism, the US was using “former” Nazis in the fight against communism domestically. This was admitted by John Loftus in a 60 Minutes interview in 1982, and by the GAO (Government Accounting Office), which released a report to Congress in 1985 confirming it. This despite the fact that the CIA had stalled and misdirected the GAO from the beginning. Two of the top Nazis brought to the US were Walter Becher and Baron von Bolschwing, which you can research if you want to continue on that line. 

Strange that we can't see a hill behind Sharon in pic 1. We are looking back toward Burbank and Universal City, so Lookout Mountain should be in the background. I suggest that Lookout Mountain was used as a center of operation for the Tate events, and that there was a direct line of sight from the station to the house, using a telescope. To keep anyone from studying that possibility, someone decided to reformat pic 1, using a retouched background. One of the side-effects of that retouching was that both Sharon's and the dog's hair turned black: probably a contrast error. 

It may interest you to know that telescopes were a part of the mainstream story. Manson is said to have stolen a green telescope from Terry Melcher's Malibu house. Ed Sanders says, “It was Doris Day's telescope that the family used in scanning for Black Panther raids from the Santa Susanna hilltops.” Right, Ed. Although that story scans poorly, it is useful as a reminder to us that telescopes could be used to coordinate and check on events in these hilly neighborhoods, in a time before cell phones. 

That's the house on Cielo as seen from the front, looking at it from the east. The Tate house isn't quite on top of the hill, but almost. We are seeing the front yard. Sharon with her dog was in the front yard. That is where the view is. The back yard is very narrow and you see only the hill. Then there is a long side yard where the pool is, to the left in this photo. So from Lookout Mountain, this is basically what you would see. Notice there are no fences or hedges blocking the view, even from where this picture was taken. You can see the front door and the front windows. 

Here is the hill as seen from the low road. You can see it is a quite conspicuous hill, visible from all the other hills around it. It is the perfect place to put someone you want to keep tabs on. You can see the cars coming and going without ever leaving your desk. Did Lookout Mountain really close in 1969? Did the propaganda films stop? If they aren't in Laurel Canyon anymore, where did they go? After 1969 they didn't need Lookout Mountain anymore, but not because the propaganda was finished. No, they didn't need that secret studio because they had completed the take-over over the mainstream studios by then. After 1970, there was no longer a split between “secret” propaganda films and the mainstream. They were one and the same. What was initially limited to Laurel Canyon has since spread across all of LA. Military intelligence has engulfed the whole city, and the fake Tate event was the big final bite. A large portion of mainstream movies since 1970 have been propaganda films of one sort or another, and even the ones that are made mostly for money are filled with propaganda as well. There is no longer any split between CIA and Hollywood. Hollywood is basically a subdivision of the CIA and military intelligence. The entire entertainment industry is a vast subdivision of military intelligence, including music, TV, art, film, and a majority of the internet. This is what the Matrix really is: not a dream induced by robot bugs, but a waking false reality created by uber-directors. 

Which brings us to another red flag in the Matrix. Ed Sanders admits that the police gave so much information to the press in the first hours after the alleged murders that 

they were depleting the possible supply of “poly keys”—polygraph interrogation keys—which are key bits of information about the murders that only the killers could know, so that on a lie detector test the possible killer could be asked questions about the facts. If the facts were printed or broadcast, they would be spoiled for such a purpose. 14 

This was completely against police department policy or criminal investigation policy, as Sanders makes clear. Real murders aren't broadcast to the press like this, for many very good reasons, only one of which Sanders mentions. Another reason is to prevent the sort of copycat murder we saw the next day at the Labianca house, with the murderers borrowing key bits of information to cover their tracks. So why did the police broadcast the information to the press here? Because the “police” were either in the pay of the FBI or were actual agents in disguise. It was the controllers broadcasting the information, not the Los Angeles police. They needed to broadcast all the information as soon as possible, since that was the whole point of the event. They faked the murders to create fear and confusion, and they needed to get the key points of the event into the press as soon as they could. This operation was all about storytelling, so the story needed to be outlined in the first hours. The faked crime scene was just the physical excuse to put the false flag story in the papers, so telling the story was job one. They weren't worried about blowing an investigation, since there would be no real investigation. There was no real crime and no real perpetrators and no real victims, so the storytelling became job one on August 9. Covering their tracks became job two. Continuity and consistency was apparently way down on the list, since they had very little respect for their audience. Past experience had shown them that neatness mattered very little: as long as they maintained control of the press, they could sell any story they liked, no matter how inconsistent or absurd. They had learned this from the Warren Commission. 

We also know that the investigation was already re-assigned by noon of the first day, from the West LA division to the homicide division. This basically nullified all the first three hours of stomping around by police. A completely new team of officers came in in the afternoon. 

Another red flag is the famous box 65, a box of evidence supposedly found at the Folger/Frykowski house by investigators. The rumor was spread that it contained erotic photographs of many of Hollywood's elite. No one asks why or how Folger or Frykowski would have such photographs, but the rumor was enough to keep a lot of people quiet, apparently. Although the photos never existed, this story was a great sidebar to the main story, and brilliantly shortened the leash of a great number of people who were already controlled. 

And yet another red flag: 

Later the police backed up a van to the Polanski house and carted a truckload of stuff down to SID headquarters for examination. A few days later they evidently brought most of it back and placed it in the same order to try to recreate the original undisturbed crime scene.15 

Again, illogical, unprecedented, and totally against policy. The only reason they would do this is if they were scrubbing the scene of unwanted evidence, and planting other evidence. In the chaos of the move and return move, absolutely anything could be achieved. 

And yet another red flag, on the same page as the ones above: the eyeglasses that were found by the blue trunks were given to Paul Tate, “who held them for two weeks trying to locate the owner, who would have been a prime suspect.”16 You have to be kidding me. No one thought this was odd? Is it common practice in a police investigation to give or loan evidence to a family member of one of the victims? Of course not. It is just more proof that military intelligence had access to not only the crime scene but also the artifacts in it. If any discrepancy arose, Paul Tate was there to fix it. 

And another red flag: although the managers of the story were leaking it to the press chapters at a time, when it came time to report to the State Bureau of Criminal Identification and Investigation, the LAPD sent only a three line homicide report, barely complying with the law requiring a filing. This is just an indication of who the managers of the story really were: only the Feds would have such undisguised contempt for a State Bureau. And another red flag: when the police raided the Spahn's Ranch on August 16 (one week after the Tate murders), they took a film crew along. Do the police normally take a film crew along on raids? No. Do they use search warrants with dates that are wrong by three days? No. The search warrant used on August 16 was dated August 13, but since those being filmed were in on it, it didn't matter. Who was going to sue? Although we are told by Bugliosi and Sanders and others that Manson was franticly preparing for the move out to the desert on August 17, he was conveniently on-hand for the round-up on the 16th, making most of the still pictures, dead-center, with the sign “Spahn's Movie Ranch” conveniently behind him in-shot. 

I won't take the time to analyze this raid in detail, but Ed Sanders gives us the primary clue: 

Some of the officers appear to be definitely out of uniform in the photos of the raid, wearing an admixture of Marine Corps fatigues and regulation sheriff's-office clothing.17 

We can see that just from the photos above, where the police are wearing the same helmets, but different shirts, pants, and shoes. 

In that one, we have at least four different uniforms, including the guy in white pants who is in no uniform. And here we have a guy in combat boots and paratrooper pants:

Ed Sanders also pointed out this peculiarity: 

See how that guy has “Sheriff” sewn on the back of his shirt? The standard sheriff's office uniform didn't have that, as we see from other pictures. Looks like CHIP's are there, too: 

No one wanted to be left out of the movie! Despite finding stolen guns, stolen cars, stolen credit cards, piles of drugs, under-aged girls, and a hundred other things, everyone once again skated, supposedly for “lack of evidence.” Manson was arrested at the same place again six days later for dope, fornication, and public nudity. 

Again he skated. It was too soon. The authorities wanted to let the story build a bit longer, let Los Angeles stew in fake fear a few more weeks. The FBI apparently let the local police look useful, but they weren't willing to move the story into the next phase just yet. Besides, the date of final capture was already set in the script: October 12, Aleister Crowley's birthday. That link would serve double duty in the story. One, it would lend the story a further element of the macabre. Two, it would cover the tracks of the spooks, as usual. The secret services have been hiding behind Satanism since the late 19th century, and Crowley's career was created specifically for that purpose. Crowley himself was secret service, and he showed those who came after how to use Satanism and the occult as successful misdirection.

NEXT

THE CRIME SCENE